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Behind the Scenes of the A4L Cultural Enrichment Project

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Nathan Richardson as the real Frederick Douglass
Nathan Richardson portrays abolitionist Frederick Douglass in our Norfolk studio.
Sarah Osburn Brady and Sheila Arnold record their civil rights program.
Sarah Osburn Brady and Sheila Arnold record their civil rights program.

There’s been lots of activity in our Norfolk office lately—which doubles as a production studio—as artists record special programs for our new cultural enrichment project funded by a new SHARP grant.

It’s an exciting project for a couple of reasons—it will bring quality, humanities-based arts-in-education programming to disadvantaged students in Virginia at no cost to them or their schools. And the project will provide income to artists on our roster during a time when opportunities to practice their art forms remain limited.

Sarah Osburn Brady and Sheila Arnold record their program on civil rights.
Sarah Osburn Brady and Sheila Arnold record their program on civil rights.

Molly Stanley, A4L’s Learning and Community Engagement Manager, says the programs have significant educational value, with topics that include the civil rights movement, slavery, and the Holocaust.

“Students learn about these historical events through core classes such as social studies and language arts. Through the videos we’re producing, students can deepen their learning and make connections with these topics that are relevant to their lives.”

Participating schools can choose from these videotaped programs:

  • Frederick Douglass “On Slavery and Emancipation” by Nathan Richardson: A performance that brings the true tales of Frederick Douglass to life, from his time as a slave and his escape to freedom to his rise as a great writer, orator, and abolitionist.
  • Conscience, Stories, and Hope: Hans and Sophie Scholl’s White Rose by Sarah Osburn Brady: The story of German siblings who dared to become part of the World War II resistance, no matter what the consequences.
  • Coretta: A Legacy of Love by Valerie Davis: Hailed as the “First Lady of the Civil Rights Movement,” Coretta Scott King comes to life through music and stories revealing the triumphs and tribulations of an American legend.
  • Arabiqa by Karim Nagi: An exploration of Arab culture through language, folk music, dance, and costume that bridges the east-west cultural gap.
  • Civil Rights: Finding Your Voice by Sheila Arnold and Sarah Osburn Brady: An interactive exploration of voices from the Civil Rights movement whose lessons in speaking up show us the way to effect social change today.

The programs are designed for either elementary or middle school students and include age-appropriate teacher guides for easy and effective classroom implementation. The videos are set to debut in February. Photography and editing is provided by Rob Holmes.

Photographer Rob Holmes videotapes Sarah Osburn Brady's program.
Photographer Rob Holmes shoots Sarah Osburn Brady’s program.

Thanks to our participating artists and to the funders of this grant–Virginia Humanities and the National Endowment for the Humanities (NEH). The funding is part of the American Rescue Plan (ARP) and the NEH Sustaining the Humanities through the American Rescue Plan (SHARP) initiative.

Dominion Energy Honors Arts for Learning with ArtStars Award!

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Woo-hoo! It’s a happy day here at Arts for Learning, as we were thrilled to receive the Dominion Energy ArtStars Award for Eastern Virginia last night at the Virginia Commission for the Arts’ live virtual conference. Dominion Energy presented the award, which comes with a $10,000 prize, for A4L’s “Take 10” digital programming, recognizing the project’s innovation, enterprise, and artistic quality.

When Virginia’s schools shut down last March, more than 350 hours of our programming was canceled, threatening our mission to connect students with the power of the arts. But our mission was not interrupted. Within days, the Arts for Learning office in Norfolk was transformed into a makeshift recording studio, artists took a leap of faith and tried something new, and our program team figured it out on the fly, including how to shoot and edit video while following strict safety protocols required by the global pandemic. The result: 118 ten-minute video segments that served as engaging and educational art breaks for students and families who were suddenly thrust into remote learning.

Take 10 was a major team effort,” says Christine Everly, CEO of Arts for Learning. “We had no budget, no prior expertise, and no production studio—but we knew we had to find a way around those obstacles. Especially during the COVID crisis with students learning at home, we needed to reach them through the power of the arts. And we also wanted to provide some income for our artists who suddenly found themselves unemployed.”

Participating artists received stipends for their work on Take 10. The program ended in June, but Arts for Learning’s commitment to quality virtual arts programming did not. Thanks to an investment in new video technology and additional training for staff and artists, Arts for Learning now offers dozens of virtual arts experiences to schools, libraries, and community centers. The $10,000 ArtStars’ prize money will support Arts for Learning’s efforts to continue to build a digital library of engaging and innovative new programming to connect students with the arts, wherever and however they are being schooled.

Artist Spotlight: Karim Nagi and “Arabiqa”

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With all the challenges Arts for Learning has faced in the past year, there’s one very positive side effect—thanks to virtual programming, our roster has expanded to include vibrant and culturally diverse artists who live in other parts of the United States. We’re especially excited about Chicago-based artist Karim Nagi joining our team. Karim is an Arab musician, dancer, and folklorist whose program “Arabiqa” is now available for booking.

As a native of Egypt, Karim immigrated to the United States when he was eleven years old, along with his mother and father. The family settled in Boston, where Karim attended public school and where few students knew much about his home country, culture, or Muslim religion. Karim eventually became a professional performing artist. Since 1999, he has led the Sharq Arabic Music Ensemble, a group dedicated to preserving and presenting traditional Arabic vocal and instrumental music.

After the terrorist attacks of 9/11, a school invited Karim to make a presentation about Arab culture to students who “only had the frightening impressions from the news.” With close to 500 presentations since that time, he’s refined his performance into a dynamic and informational exploration of Arabic culture. The program blends music, dance, language, and traditional costumes. Karim demonstrates the traditional percussion and string instruments he plays and shows different dance styles he learned growing up in Egypt, as well as folk dances from Lebanon, Syria, Morocco, and other Arab countries.

In addition to exposing students to new art forms, Karim has a more personal motive for his performances.

“If everyone relies on the news or some type of media portal to get their information about another person, they’re only going to have stereotypes and simplistic renderings and one-sided reports. When people are learning about other cultures, it’s very important that they interact with people from those cultures,” Karim says. “I believe it’s important that they learn about my culture specifically because it’s so central in news and world politics, but I’m more interested in the process of people becoming tolerant and receptive of diversity so I think it’s important for them to interact with actual people from each segment of society.”

In the twenty years he’s been performing in schools and performing and leading workshops for adults, Karim has seen a positive shift in perception.

“People are more aware that the arts have a role in sharing culture and creating dialogue between people. I think before people thought of the arts as just entertainment. But these days people really give it the credit that it deserves.”

When schools shut down across the country last spring, Karim had an advantage over many performing artists because he was already experienced working with video and audio. With his virtual presentations, he adjusts to the needs of an individual school, with both live and recorded performances available. But whatever the format of his performances, he’s committed to make them interactive.

“I still need to engage with each student behind the screen and make them feel that they need to participate. That’s the important thing, rather than just performing in a block for forty-five minutes and students having to watch. This is true in real-life, in-person performances as well. With digital, I have to make sure I still keep it engaging and in a way that students participate.”

So how does Karim know that he’s making a difference through his school presentations? Earlier in his career, the words of a student from Virginia made a big impression.

One of the fourth graders came up to me and said they wanted to be Arab when they grew up. This fueled me a lot. I’m helping people become less afraid of something that’s foreign or something that’s perceived as anti-American by some people. I was expressing my culture and a young child saw it as something that they would like to emulate. Even if they didn’t understand the difference between ethnicity and career at the time, it still meant that they weren’t afraid of it, that they could relate to it.”

Interested in Karim doing a virtual presentation at your school, library, or community center? Contact Aisha Noel at 757-961-3737 or email us at programs@Arts4LearningVA.org for more information. We may have funding available to help offset the cost of Karim’s performance!

New Stories from a Favorite A4L Storyteller

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She’s back, and we couldn’t be happier. After a three-year tour in England, Arts for Learning storyteller Sarah Osburn Brady returned to Virginia in August, her art and her connections to the storytelling community deepened by the experience.

Sarah and her family—daughters who are now eleven and eight and a pediatrician-husband whose transfer to Royal Air Force Lakenheath prompted the move to England—are now living in McLean, Virginia, forever changed by their time in the U.K. Sarah calls her three years there “a gift,” with highlights including being part of the Cambridge Storytellers group and “being able to travel and walk the landscape of so many stories, both historical and traditional, as well as literary stories.”

She believes her storytelling has changed, thanks to new insight she discovered while living abroad.

I think sometimes whenever we grow and change as people, it allows us to bring new things to our art form, and there’s something definitely that will make growth and change happen whenever you move to another country.”

Sarah first explored joining Young Audiences/Arts for Learning more than a decade ago while working as a professor of theater and communications at Hampton University. After the birth of her first child, she joined the roster, partnering with another acclaimed A4L storyteller, Sheila Arnold, with programs on the civil rights movement and two “women of freedom,” Harriet Tubman and Ellen Craft. Sarah also developed solo programs including Poetry and Jabberwockies, which celebrates the rhythm and rhyme of language through classic poems and nonsense words.

As both a performing artist and teaching artist, Sarah’s storytelling isn’t easy to characterize.

“I’m not a storyteller who tells just one type of stories. I tell historical, literary, and traditional stories, along with a smattering of personal stories and tall tales. I find that I do a lot of those different things. My style varies according to the story I’m telling, according to the needs of the program, according to the audience, all of those pieces.”

When she’s developing new programs, Sarah says there are some stories “that won’t let you go, that sit bubbling with you and then punch you in the shoulder until you let them out. Then there are other stories that, because we’re working artists, we get handed.” One of the stories she got “handed” in England was on Thomas Paine, the writer of Common Sense, after she was asked to create a special program about him for a festival. She wasn’t excited about it until she dug into months of research and discovered she found him “fascinating.”

Sarah tells stories related to Thomas Paine as part of a festival in Thetford, England.

“I often tell my husband that almost any subject, if you find the right way in, you can find that it’s fascinating,” Sarah says. “The first time I performed that program, there was a woman who came up to me and said, ‘I thought this was going to be boring, but you made it interesting.’ And that is part of my goal as a storyteller—to take whatever subject I’m telling stories about, whatever program I’m doing, and invite people in, even if they don’t think they’re going to be interested. It’s amazing to me how storytelling can help people be interested in ideas and clarify subjects that people thought they weren’t interested in or thought were confusing or thought were extra complex.”

Sarah previews a new choose-your-own adventure storytelling program on Zoom.

Being back at Arts for Learning in the middle of a pandemic means Sarah is developing programs that can work virtually. A new program, “More Than True: Folk and Fairy Tales with Character,” features a choose-your-own adventure approach that allows students to interact with her live and help decide character and plot details.

Sarah is also developing a new program focused on the stories of women who resisted tyranny during the world wars. We’ll share details soon!

Moving back to the United States during a pandemic hasn’t necessarily been easy for Sarah and her family, but she says there are good parts along with the difficult parts.

“One of the beautiful things is that Zoom and other platforms are allowing for there to be a comfort with and an ease of communication at a distance. So in some ways, it’s almost like we haven’t really moved because there’s regular contact with people in the UK and with the storytelling community there, so there are lots of good things.”

We’d call it 100 percent good for Arts for Learning to have Sarah back with us. Contact us at programs@Arts4LearningVA.org if you’re interested in booking one of Sarah’s programs, which you can explore by clicking here.  All are available in a virtual format.

‘Make Comics Now’ with A4L’s Matt Harrison

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Norfolk-based artist Matt Harrison is new to the Arts for Learning roster this year, teaching a popular workshop called “Make Comics Now.” Matt comes from a teaching family—his parents are retired elementary school teachers and his wife is a middle school English teacher, and he says conversations about classroom theory and its practical applications have been a constant throughout his life. Mentoring students is one of his favorite things, whether in his role as a comic artist or in his pay-the-bills job as a web developer.

Although Matt enjoyed drawing when he was a kid, he didn’t become interested in comics until he was a young adult and stumbled on a friend’s box of old comic books.

“I started with X-Men and Spider-Man. The way those shows worked, it wasn’t episodic, it was a continuous story from one to the next. It made me very curious about continuity, so once you start down that path about caring about comics and which way the story goes, it can quickly spiral out of control. So I wound up collecting way more comics than I knew what to do with.”

Eventually Matt transitioned from an interest in traditional mainstream comics to indie comics, where he says he’s now developed a “simple, cartoony, humorous aesthetic.” He’s published more than a dozen mini-comics of eight to 48-pages long and regularly exhibits his work at comic conventions. He also works as an illustrator using a different style, which he describes as somewhat realistic straight-to-ink contour drawings of people from photos. Clients include the Naro Expanded Cinema which features his posters at their cult movie nights.

When you look at Matt’s website, www.rootbeercomics.com, you see an eclectic variety of topics and styles in his comic books, zines, and comic strips. Titles range from “Ninja Turtles with Guns” and “Lincoln versus Booth” to “Harrison Ford is Old.”

“I like to do short projects because that lets me experiment with a lot of different themes and styles of drawings. I can knock out a comic in a month and then move on to the next idea of interest.”

So why Root Beer Comics? First came the impossibility of finding a domain name when you’re named Matt Harrison. Second came the need to choose something unique, memorable, and easy to spell. But root beer also has a deeper meaning to Matt.

“I love root beer. It sets the tone for the humor stuff.  Also, there’s beer, which is an interest that a lot of people have, and then there’s root beer, which is kind of tangentially related to that but not really. And that’s kind of like what my comics are. If mainstream comics are beer, my comics are root beer.”Matt describes what he calls a “pivotal moment” in his life when he realized that comics don’t have to look a set way, that they can look like anything.

“That barrier falls away and you realize anyone can make a comic, I can make a comic, it doesn’t matter that it won’t look like the Spider-Man comic that I saw, it will look like my version of that,” he says. “I realized that I didn’t have to wait until I’m an amazing draftsman, which is a day that may never come, before I put pen on paper and put it out there for people to see.”

That pivotal moment still resonates with him as he teaches.

My objective with teaching is to recreate that moment in other people’s lives so the chains come off and they can get started in this creative hobby that can benefit them in a lot of ways.”

Matt led two Make Comics Now residencies in-person at summer camps and is currently teaching students virtually through Alternatives Inc’s after-school program. Although he’s found COVID-19 safety protocols have made establishing relationships with students more challenging, he hasn’t let that stand in the way.

“Ultimately, I think you just jump right in and treat them like they’re already old friends and eventually they’ll come along for the ride.”

Are you interested in learning more about Matt leading a workshop? Contact us at scheduling@Arts4LearningVA.org for more information.