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Rhythm and Me: An Adaptive Dance Residency

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After twelve weeks filled with growth and exploration, students in a Rhythm and Me residency in Virginia Beach shared what they learned in a special performance for family and friends, choreographing the presentation by themselves. The adaptive dance program is a partnership between Arts for Learning and Families of Autistic Children in Tidewater (FACT). The residency was designed for students to join with their peers and learn new skills in a supportive environment.

Starting in September, the students met twice a week with A4L teaching artist Angela Taylor, a certified yoga instructor. In each class, she led students in a particular dance style—ballet, hip hop, jazz, party dances and more—with each dance paired with discussion about a different life skill. The curriculum was specially formulated for middle and high school students with autism.

“We were looking at the social emotional aspects of learning, of togetherness, community, social justice, understanding each other, and being okay with who we are in our bodies,” Angela says. As the program progressed, she witnessed growth in students from week to week. One student, for example, had difficulty speaking and let her aide speak for her, but by week three, Angela saw that the girl had become confident enough to communicate by herself. “That was truly amazing to watch her grow.”

“Overall, I think that a lot of them came out of their shells and they’re just free with their dancing, free with their movements. Even some of the parents would say, ‘Oh, my child can’t do ballet.’ And I’ve always said that it’s not about the dancing. It’s about coming together and creating a community and enjoying life and having a great time. I don’t mind if the moves aren’t perfect because I’m not perfect. I just want everybody to have a good time and have a positive experience in the class, and I feel like we accomplished that.”

Parents provided overwhelmingly positive feedback about the residency. But Kara Rothman, mother to 13-year-old Jesse Elia, says she didn’t initially have high hopes for the program.

“We’ve signed up  and paid for so many things that I’ve had to drag him to, but he wants to go to [Rhythm and Me], which is the first time ever. For me, it was huge because I’ve taken him to so many different places where I have to preface who we are and his quirks, and [at Rhythm and Me] he’s allowed to be quirky. It’s okay. In other places he has to be quiet or follow directions—it’s very structured—and he was always getting kicked out of stuff. Nothing ever worked, ever. Every time I’m just so grateful that he wants to be there.”

Jesse calls the program “fun, interactive, and entertaining,” and says he especially likes being with other students on the spectrum. He also says he finds the yoga portion “calming,” and the program less stressful than others.

“If I say I don’t want to do something, it’s not like I have to do it,” he says. “But I usually like doing the stuff, and it’s fun.”

Angela says her approach as a teaching artist is to “honor each person for who they are and where they stand in this world. And I think so many people pressure children like, you have to do it, you have to do it. With Jesse, I always gave him the option. I would say, ‘Would you like to join in?’ And if he said no, we just kind of moved on because I think it’s so important to be honored by your choices.”

Jesse is an only child who is homeschooled. His mother says the socialization portion of Arts Adventures was “huge.” After his first time going to the program, Jesse told his mom he had “gone in expecting the worst, but I ended up getting the best.” As for Kara’s reaction when Jesse said that:

I cannot tell you what those simple words meant to me. Well, yes, I can. It meant the world!”

Another parent, Lori Beatty, says her 13-year-old daughter, Calli Laundre, always became excited when she heard she was going to dance class.

“When I pick her up, she’s full of energy. If we get there early, she grabs her mat and she’s just ready to go. I think the whole program is great. It’s been really good for her.”

Rhythm and Me class

The Rhythm and Me residency was the first year of a three-year Arts Adventures partnership between FACT and Arts for Learning, with funding provided by the Hampton Roads Community Foundation.  The focus of the second year will be music and the third year will be visual art.

“We’re delighted to partner with FACT because the population they serve overlaps with a group of students that we prioritize reaching with our programming,” says Chris Everly, CEO of Arts for Learning. “We’re excited to be planning future collaborations.”

Rhythm and Me: Teaching with an Open Heart

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In guiding the Rhythm and Me adaptive dance residency for students with autism, teaching artist Angela Taylor leads with an open heart and many years of specialized training.

In the program, Angela helps middle and high school students explore themes that include communication, teamwork, and self-worth through a variety of dance and body movements—all in an environment where they’re learning alongside their peers. Rhythm and Me is the first residency under the three-year Arts Adventures program, an A4L partnership with Families of Autistic Children of Tidewater (FACT) that is underwritten by a grant from the Hampton Roads Community Foundation. During the twelve-week residency, students meet for classes two evenings a week in Virginia Beach.

Angela has been an Arts for Learning teaching artist since 2015. She’s a certified yoga teacher, with hundreds of hours of formal instruction who uses a trauma-informed approach in all of her classes. Angela has special training in working with children who have physical, mental, and emotional disabilities.

One mom shared that her 13-year-old son, Jesse, had been incredibly anxious going to the program for the first time, saying she can’t even remember how many events, clubs, camps, and workshops he’s signed up for have “backfired on us” in the past. But that’s not what happened this time:

“When we came to pick him up, I was preparing myself for what has become the norm for us. Some type of issue – either from him or from the program. But the first thing we noticed is that he was still participating – like really participating. That alone made my heart smile – though I knew better to ask him how things went and the zillion other questions I always want to know. So, here is the most amazing part of all. I didn’t even need to ask because this is what my son told me as soon as we were in the car”:

I liked it. It was fun. Honestly, I went in expecting the worst, but I got the best.” Jesse, age 13

As for Angela, she says that she’s “so grateful for the opportunity to share, learn, and grow with these amazing young artists.”

The residency concludes in mid-December with a special “perform and inform” event for friends and family.

Read more about Angela here. To inquire about booking her to come to your school or community center, please call School and Community Relationships Coordinator Aisha Noel at 757-961-3737 or email Programs@Arts4LearningVA.org. The Rhythm and Me dance residency can be adapted to all abilities and ages of children and teens, from kindergarten through twelfth grade.

New Stories from a Favorite A4L Storyteller

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She’s back, and we couldn’t be happier. After a three-year tour in England, Arts for Learning storyteller Sarah Osburn Brady returned to Virginia in August, her art and her connections to the storytelling community deepened by the experience.

Sarah and her family—daughters who are now eleven and eight and a pediatrician-husband whose transfer to Royal Air Force Lakenheath prompted the move to England—are now living in McLean, Virginia, forever changed by their time in the U.K. Sarah calls her three years there “a gift,” with highlights including being part of the Cambridge Storytellers group and “being able to travel and walk the landscape of so many stories, both historical and traditional, as well as literary stories.”

She believes her storytelling has changed, thanks to new insight she discovered while living abroad.

I think sometimes whenever we grow and change as people, it allows us to bring new things to our art form, and there’s something definitely that will make growth and change happen whenever you move to another country.”

Sarah first explored joining Young Audiences/Arts for Learning more than a decade ago while working as a professor of theater and communications at Hampton University. After the birth of her first child, she joined the roster, partnering with another acclaimed A4L storyteller, Sheila Arnold, with programs on the civil rights movement and two “women of freedom,” Harriet Tubman and Ellen Craft. Sarah also developed solo programs including Poetry and Jabberwockies, which celebrates the rhythm and rhyme of language through classic poems and nonsense words.

As both a performing artist and teaching artist, Sarah’s storytelling isn’t easy to characterize.

“I’m not a storyteller who tells just one type of stories. I tell historical, literary, and traditional stories, along with a smattering of personal stories and tall tales. I find that I do a lot of those different things. My style varies according to the story I’m telling, according to the needs of the program, according to the audience, all of those pieces.”

When she’s developing new programs, Sarah says there are some stories “that won’t let you go, that sit bubbling with you and then punch you in the shoulder until you let them out. Then there are other stories that, because we’re working artists, we get handed.” One of the stories she got “handed” in England was on Thomas Paine, the writer of Common Sense, after she was asked to create a special program about him for a festival. She wasn’t excited about it until she dug into months of research and discovered she found him “fascinating.”

Sarah tells stories related to Thomas Paine as part of a festival in Thetford, England.

“I often tell my husband that almost any subject, if you find the right way in, you can find that it’s fascinating,” Sarah says. “The first time I performed that program, there was a woman who came up to me and said, ‘I thought this was going to be boring, but you made it interesting.’ And that is part of my goal as a storyteller—to take whatever subject I’m telling stories about, whatever program I’m doing, and invite people in, even if they don’t think they’re going to be interested. It’s amazing to me how storytelling can help people be interested in ideas and clarify subjects that people thought they weren’t interested in or thought were confusing or thought were extra complex.”

Sarah previews a new choose-your-own adventure storytelling program on Zoom.

Being back at Arts for Learning in the middle of a pandemic means Sarah is developing programs that can work virtually. A new program, “More Than True: Folk and Fairy Tales with Character,” features a choose-your-own adventure approach that allows students to interact with her live and help decide character and plot details.

Sarah is also developing a new program focused on the stories of women who resisted tyranny during the world wars. We’ll share details soon!

Moving back to the United States during a pandemic hasn’t necessarily been easy for Sarah and her family, but she says there are good parts along with the difficult parts.

“One of the beautiful things is that Zoom and other platforms are allowing for there to be a comfort with and an ease of communication at a distance. So in some ways, it’s almost like we haven’t really moved because there’s regular contact with people in the UK and with the storytelling community there, so there are lots of good things.”

We’d call it 100 percent good for Arts for Learning to have Sarah back with us. Contact us at programs@Arts4LearningVA.org if you’re interested in booking one of Sarah’s programs, which you can explore by clicking here.  All are available in a virtual format.